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      <image:caption>'Rising gently about here', La Trobe Art Institute, Bendigo, Victoria, Australia, 2021-2022. Photo by Ian Hill.</image:caption>
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      <image:title>Work - Rising gently about here</image:title>
      <image:caption>'Rising gently about here', La Trobe Art Institute, Bendigo, Victoria, Australia, 2021-2022. Photo by Ian Hill.</image:caption>
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      <image:title>Work - Rising gently about here</image:title>
      <image:caption>'Rising gently about here', La Trobe Art Institute, Bendigo, Victoria, Australia, 2021-2022. Photo by Ian Hill.</image:caption>
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      <image:title>Work - Rising gently about here</image:title>
      <image:caption>'Rising gently about here', La Trobe Art Institute, Bendigo, Victoria, Australia, 2021-2022. Photo by Ian Hill.</image:caption>
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      <image:caption>'Rising gently about here', La Trobe Art Institute, Bendigo, Victoria, Australia, 2021-2022. Photo by Ian Hill.</image:caption>
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      <image:caption>'Rising gently about here', La Trobe Art Institute, Bendigo, Victoria, Australia, 2021-2022. Photo by Ian Hill.</image:caption>
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      <image:caption>'Rising gently about here', La Trobe Art Institute, Bendigo, Victoria, Australia, 2021-2022. Photo by Ian Hill.</image:caption>
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    <lastmod>2023-07-28</lastmod>
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      <image:title>Work - Rupture</image:title>
      <image:caption>Rupture, UNSW Studio 1, Big Anxiety Festival, 2019. Photo by Cynthia Scibberas.</image:caption>
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      <image:title>Work - Rupture - Make it stand out</image:title>
      <image:caption>Rupture: all the stars unshining, Liveworks, Carriageworks, NSW, 2022. Photo: Jacquie Manning.</image:caption>
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      <image:title>Work - Rupture</image:title>
      <image:caption>The shimmer-body takes up the excess, or the overflow, that which the body-in-the-world, constructed as it is by language, can’t mouth. The excess which no body in its right mind can speak, it is only possible to speak in this register when one is beside oneself. The post linguistic arises always from the body beside itself (beside itself). Such a voice falling out of language and into the remainder could only arise from a body beside itself. I leave my body behind. - V. Barratt</image:caption>
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      <image:caption>Rupture X Adelaide Symphony Orchestra @ The Lab, Adelaide, 2023.</image:caption>
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      <image:caption>Rupture at the Bendigo Art Gallery, 2018. Photo by Ian Hill.</image:caption>
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    <lastmod>2022-03-09</lastmod>
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      <image:caption>Yami Lester, Walatinna Station, South Australia, 2006 In 1953, Yami, a Yankunytjatjara man, was ten years old, living at Walatinna Station when ‘Totem One’ was detonated at Emu Field in South Australia. The test was the first of a series of atmospheric atomic bombs that the British and Australian governments were testing during the 50’s and 60’s at Emu Field and Maralinga in South Australia and the Monte Bello Islands off the West Australian coast. Yami, and his community who were there at the time, remember a black mist coming over the horizon which caused many people to become sick with diarrhoea, skin rashes and other illnesses, Yami became blind not long after the fallout.</image:caption>
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      <image:caption>Bindi and Billy, Alice Springs, Northern Territory, 2006 Bindi and Billy are Traditional Owners for Muckaty Station, 120km north of Tennant Creek, which was one of the proposed nuclear waste dump sites in the Northern Territory. In 2006 Bindi was taken on a trip to Lucas Heights nuclear reactor in Sydney to examine the waste that might be coming to his country. Until he arrived at Lucas Heights, he thought he was being asked about hosting an ordinary rubbish dump.</image:caption>
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      <image:caption>Eileen Wani Wingfield, Port Augusta, South Australia, 2006. Eileen, (dec.) a Kokotha woman and Goldman Environmental Prize winner, was part of the Irati Wanti (the poison, leave it) campaign from 2000 – 2005, that stopped the dumping of nuclear waste in Woomera, South Australia. She was an atomic test survivor, and also fought tirelessly against the Olympic Dam uranium mine, which operates on Kokotha land, in Roxby Downs, South Australia.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/6a7969cd-0727-4916-8752-dd87a18f577c/Jessie_Boylan_AvonHudson.jpg</image:loc>
      <image:title>Work - Inhabited</image:title>
      <image:caption>Avon Hudson, Woomera Missile Park, South Australia, 2006. Avon is a veteran from the Maralinga atomic tests from 1956-1959 in South Australia. He became a whistleblower and exposed the fact that plutonium remained buried at Maralinga. The service personnel were never told of the dangers of radiation, with many dying young. The ongoing intergenerational health effects such as cancer and other health defects continues throughout families of the veterans. The Australian government still hasn't taken responsibility for the impact of the tests.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/a19de977-145a-44e1-9e77-5e8f3079006f/Jessie_Boylan_Nikki.jpg</image:loc>
      <image:title>Work - Inhabited</image:title>
      <image:caption>Nicki, Alice Springs, Northern Territory, 2006 Nicki is the daughter of Mitch, who fought against the proposed nuclear waste dump at Harts Range, Northern Territory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/56312b27-8286-40e0-bcea-7c64a1bf3f6a/Jessie_Boylan_Mitch.jpg</image:loc>
      <image:title>Work - Inhabited</image:title>
      <image:caption>Mitch, Alice Springs, Northern Territory, 2006. When the northern Territory nuclear waste dump was first proposed, Mitch and her daughters Billy Jean and Nicki established a colourful protest vigil on the turnoff to the Tanami Highway. Mitch spoke up for her family opposing the then proposed Harts Range site. The site is now off the list, however, Mitch continues to speak up strongly about nuclear issues and Aboriginal justice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/c3375b31-3c49-40fa-aabf-48a5b4b5e1a9/Jessie_Boylan_BillyJean.jpg</image:loc>
      <image:title>Work - Inhabited</image:title>
      <image:caption>Billy-Jean, Alice Springs, Northern Territory, 2006. Billy-Jean is the daughter of Mitch, who fought against the proposed nuclear waste dump at Hart's Range, Northern Territory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/b239b7b4-3a81-4191-8ece-21fa8daad4e3/Jessie_Boylan_Kath-Martin.jpg</image:loc>
      <image:title>Work - Inhabited</image:title>
      <image:caption>Kath Martin, Mt Everard, Alice Springs, Northern Territory, 2006. Kath, Traditional Owner and Athenge Lhere woman worked tirelessly to oppose the Commonwealth radioactive waste dump which was proposed for Mt Everard, just 13km from her home. Mt. Everard has a sacred Arrernte site within the boundaries. The site has since been excluded from the site selection process.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/d22943f9-7da5-4d3c-a131-3056608f4a31/Jessie_Boylan_Kevin-Buzzacott.jpg</image:loc>
      <image:title>Work - Inhabited</image:title>
      <image:caption>Kevin Buzzacott, Alberrie Creek Station, South Australia, 2006. Kevin, an Arabunna elder from the Lake Eyre region, has been fighting against Olympic Dam Uranium Mine in Roxby Downs South Australia since it began operations in 1986. The mound spring areas, which are dotted all across Arabunna land, are threatened due Olympic Dam using up 30-40 million litres of water each day from the Great Artesian Basin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/e64fea0a-64be-4482-bb69-1a81f55efdf3/Jessie_Boylan_Jenny-Lewis.jpg</image:loc>
      <image:title>Work - Inhabited</image:title>
      <image:caption>Jenny Lewis, Port Pirie, South Australia, 2006. Between 1955 and 1962 uranium from Radium Hill was processed at the Port Pirie Uranium Treatment Complex, which left behind 200, 000 tonnes of solid tailings. Jenny was a prominent member of the local campaign group that succeeded in getting the tailings fenced off, as for a number of years children were using it as a playground. Between 1989 -1990 the group’s actions led to a partial clean up of the 26 hectares of contaminated soil. Jenny is keeping vigilant to stop any further development of the site.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/2a5bf6a1-76b8-4e4b-a7f3-e74cff393e83/Jessie_Boylan_Marlene-Lance.jpg</image:loc>
      <image:title>Work - Inhabited</image:title>
      <image:caption>Marlene Bennett and grandson Lance, Alice Springs, Northern Territory, 2006. Marlene has strong family links to Muckaty Station, one of the sites proposed for the Commonwealth radioactive waste facility. Muckaty lies 760km south of Darwin. Marlene and her family are strongly opposed to the waste dump proposal and felt there was a process of secrecy and bullying throughout the process. Lance said he wants the Prime Minister to put the nuclear waste dump in his own back yard, if it’s so safe.</image:caption>
    </image:image>
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    <image:image>
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      <image:title>Work - Misc community &amp; other.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/85f478b8-ffb7-4f87-bf41-0e3e3121be50/tbi390_jessieboylan-2.jpeg</image:loc>
      <image:title>Work - Misc community &amp; other.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/7f815c1b-2965-4ded-a25e-3f873832db98/gaza-1.jpg</image:loc>
      <image:title>Work - Misc community &amp; other.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/258c8ce0-7f62-4998-b065-04bf34d13ad4/gaza-2.jpg</image:loc>
      <image:title>Work - Misc community &amp; other.</image:title>
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    <loc>https://www.jesseboylan.com/work/shift</loc>
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    <lastmod>2022-02-27</lastmod>
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      <image:title>Work - This is not nowhere</image:title>
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      <image:title>Work - This is not nowhere</image:title>
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      <image:title>Work - This is not nowhere</image:title>
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      <image:title>Work - This is not nowhere</image:title>
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      <image:title>Work - This is not nowhere</image:title>
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      <image:title>Work - This is not nowhere</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/0f7ee3c5-d06a-4354-b4b2-8e9a6b9eb09a/this+is+not+nowhere_ROXBY_14.jpg</image:loc>
      <image:title>Work - This is not nowhere</image:title>
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      <image:title>Work - This is not nowhere</image:title>
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      <image:title>Work - Operation Buffalo</image:title>
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      <image:title>Work - Operation Buffalo</image:title>
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  <url>
    <loc>https://www.jesseboylan.com/work/portrait-of-a-whistleblower</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/8f00ad0e-7d45-49cc-93db-e06bf428adad/6.whistleblower-RAAF-laverton.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Portrait of Avon Hudson, Laverton, Victoria 1957 Photographer unknown Reproduction from an original silver gelatin photograph Digital inkjet print; 100 x 80 cm Avon Hudson’s private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/4c0d314f-2fef-4c75-bc97-a08e88f5ee34/2.whistleblower_secrecy_act.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Official Secrecy, Crimes Act, 1914-1960 Reproduction from an original document Digital inkjet print; 25 x 35 cm Avon Hudson’s private collection</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/d2d8049f-13f1-45fa-b027-1df1e9361b9c/7.whistleblower_blue+steel.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Blue Steel, Balaklava, South Australia 2015 Jessie Boylan Digital inkjet print; 50 x 38 cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/924a9617-ffea-4ccb-91e4-718ed5b3e62d/9.whistleblower-aerial-maralinga.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Aerial of Maralinga Village, Maralinga, South Australia 1961 Avon Hudson Reproduction from an original Kodakchrome colour slide Digital inkjet print; 25 x 20 cm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/f655f862-0101-4d3e-b0fd-0636bea54024/1.Avon_Lockheed.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Avon in front of Lockheed Neptune aircraft, Darwin Airbase, Darwin, Northern Territory, Est. 1958, Photographer unknown Reproduction from an original silver gelatin photograph. Digital inkjet print; 25 x 20 cm Avon Hudson’s private collection</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/61a79980-e263-432b-8da7-405945d4976d/5.whistleblower-early-years-3-images-white.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Avon at the Darwin Show, Darwin, Northern Territory, 1956 Visiting HMAS Sydney, Port Adelaide, South Australia, 1952 Avon Hudson on 1920s Indian pup motorbike with Trevor Higgs, est. 1954</image:caption>
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    <image:image>
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      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Road from Maralinga to Emu, South Australia 1961 Avon Hudson Reproduction from an original silver gelatin photograph Digital inkjet print; 20 x 25 cm Avon Hudson’s private collection The tree marks the 60-mile mark to Emu from Maralinga, which was the approximate halfway point. In the photo Avon is third from the left. On a spare day the men would go ‘swanning’; Avon would take out British military and science personnel and show them around the bush- they would dig out scorpions in the sand hills, track snakes, and attract emus.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/c10708cf-cd7f-4b76-a35f-e48aaac64195/8.rocks+helmet.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Rock’s Helmet, Balaklava, South Australia 2015 Jessie Boylan Digital inkjet print; 50 x 38 cm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/24587e32-bbb5-4c3b-9973-926682d8735a/11.teatime.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Tea Time, Ooldea Soak, South Australia 1961 Avon Hudson Reproduction from an original Kodakchrome colour slide Digital inkjet print; 25 x 20 cm</image:caption>
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      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Scientist’s Gloves and Tools, Maralinga/Balaklava, South Australia 1961-2015 Jessie Boylan Digital inkjet print; 40 x 50 cm After driving an electronic technician down to do some finishing touches on a device related to one of the Vixen B experiments prior to explosion, the technician asked Avon to hold his tools and silk gloves. They returned 7 km to the roadside station and waited for the device to be fired. The miniature tools - a collection of pliers, wire cutters, automatic center punch, and screw driver - were made in Sheffield, England, by the famous toolmakers at William Marples under the Shamrock brand. Avon never returned the tools, and the technician never asked for them back.</image:caption>
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      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Ground zero, Taranaki, Maralinga, South Australia 2011 Jessie Boylan Digital inkjet print; 80 x 70 cm</image:caption>
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    <image:image>
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      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Installation, Tandanya, SA, 2016.</image:caption>
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      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Portrait of a Whistleblower Jessie Boylan 2014 100 x 80 cm</image:caption>
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      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Page from Avon’s scrapbook 1972-1976, Balaklava, South Australia Reproduced from an original document Digital inkjet print; 50 x 70 cm Avon Hudson’s private collection</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/0fbce41d-7dbe-4b31-8324-2b0902aadbbc/17.whistleblower_scrapbook.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>The Menzies govt. killed all my mates, Balaklava, South Australia 1984-1985 Avon Hudson Reproduced from an original document Digital inkjet print; 25 x 20 cm Avon Hudson’s private collection This section of Avon’s scrapbook cover refers to Australian Prime Minister Robert Menzies (1949- 1966), who signed off on the British nuclear testing program in Australia.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/998eb769-362c-4c9a-a01b-27c55b986437/19.royal-commission_spine.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>The Report of the Royal Commission into British Nuclear Tests in Australia, vol 1 &amp; 2, 1984- 1985, South Australia 2015 Jessie Boylan Digital inkjet print; 25 x 20 cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/14577f5f-32a4-4745-8d16-a438cb2f3982/20.royal_commission_p415.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Page 415 from the Royal Commission into British Nuclear Tests in Australia on the conclusion of the Vixen trials, South Australia 1985 Reproduced from an original document Digital inkjet print; 18 x 18 cm Avon Hudson’s private collection</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/70c6a7e3-739b-4bee-9c51-6297b4d84759/21.whistleblower_ANVA_cards.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>ANVA Index Cards, Balaklava, South Australia 2015 Jessie Boylan Digital inkjet print; 25 x 35 cm The Australian Nuclear Veterans Association documented servicemen’s posts and their illnesses associated with their work.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61e4b82d5963e40bb2bccf67/22e4c664-470d-4a87-a54e-81724274d7c3/22.avon-radtour.jpg</image:loc>
      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Listening to Avon, Radioactive Exposure Tour, Woomera, South Australia 2010 Jessie Boylan Digital inkjet print; 23 x 18 cm</image:caption>
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      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Avon’s Camp, Gammon Ranges, South Australia 2010 Jessie Boylan Digital inkjet print; 30 x 40 cm</image:caption>
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      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Photographs of Avon’s family, Balaklava, South Australia 2014 Jessie Boylan Digital inkjet print; 25 x 20 cm This photo was taken in Avon Hudson’s home in Balaklava, South Australia. The impacts on Avon’s family as a result of his actions as a whistleblower were profound; many local community members in the town where they lived had shunned them, calling Avon a ‘traitor’ and a ‘troublemaker’.</image:caption>
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      <image:title>Work - Portrait of a Whistleblower</image:title>
      <image:caption>Portrait of a Whistleblower (Avon Hudson), Lake Eyre, South Australia 2014 Jessie Boylan Digital inkjet print; 100 x 80 cm</image:caption>
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    <loc>https://www.jesseboylan.com/work/the-sound-of-jets</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-03-09</lastmod>
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